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"hand​-​in​-​hand"

by tommy oeffling

supported by
David Greenwald
David Greenwald thumbnail
David Greenwald It makes this aging indie dad very happy to hear Tommy making the same kind of music I loved 20 years ago when I was his age and Yo La Tengo wasn't classic rock yet. Wonderful songwriting.
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1.
waking up to barking dogs on city streets i want you to know what's on my mind dreaming dreams just makes reality lesser i don't care, i want to see your eyes split the scene, we hide out clean, we disappear now, i don't know exactly what i did wrong something in the water makes me hate myself friends have come and gone and so have you taking daytrips without no one knowing at the movies with no single trace i can't take the things you say much longer friends have come and gone and so have you
2.
well, the t-shirt that you bought me it's swaying in the breeze and from time to time, i wear it but it don't mean nothing to me i remember forming winter there was nothing else to do keep a picture on your nightstand it might mean something to you
3.
inside out 02:49
you came from the inside saying i don't look right you said you'd turn me right round flip me all inside out you saw it from a mile away bitter breath and empty space threw your coat off on my bed singing songs inside my head
4.
i think it's fair to say that i want you but it's safer to say it's not true as long as my friends have holes in their pockets i'll spend time in solitude do you even know what i'm talking about? the look on your face just looms if time just passes without secret stashes it's safe to assume that you flew karma's a cop on a backstreet stopping riots in the houses at night blue eyes bluer from the bottles obnoxious can't get up to turn on a light i think it's easy to say that i know you but it's safer to say you're away such a strange situation, it takes a vacation just to get to your arms home safe
5.
you talk with your face on backwards say it alright, give me a sign you strut with a self-sure sadness swaying all night, might take some time and always, always, you're the one now i've said enough and always, always, take me from saying too much no matter what you say, i'll always see another day to make me alright, give me a sign your head, it shakes with doubt, so just know what i'm all about i'll give you a sign to make me alright and always, always, you're the one now i've said enough and always, always, take me from saying too much now i've said enough and always, always, you're the one now i've said enough and always, always, take me from saying too much now i've said enough
6.
hand-in-hand 00:40
(instrumental)
7.
come in to find you standing there wind blowing in, cold through your hair let's split the scene, let's play it fair play it by ear all day long pick up the phone to say i'm wrong let's split the scene, let's play it fair
8.
i went walking out for finding past the bottle cruisers driving walk two miles just to see you winter cold blows underneath you just to see you just to see you just to see you just to see you drunk drivers cut the line (it'll never end) how will we ever find the time? (it'll never end) i'm still mindless (it'll never end) in your silence (it'll never end) just to see you just to see you just to see you just to see you
9.
in this town of a thousand people where there's nothing much to do i'll be at your door next morning and when cars finally quit pollution and you're laughing with a lovable grin i'll be at your door next morning if the cops quit knocking down people just a few towns over from you i'll be skipping through main street waiting for the time that you come from the big town to where exhaust fumes simply decay i'll be hoping for the breaking since last june, she's been going out of tune she only calls once in a blue moon when there's nothing much to do she hates when the imp kids try to start she trips over spoiled kids laying in the park with the picnic residue she works shops and says "try it on for size" only wants to cry when it's coming out her eyes and there's nothing else to do she writes slowly 'cause she can't hold a pen she says a lot of things that she never even meant but it's in good fun to do
10.
clumsy 01:58
i took out the summertime for now every time i think it's right, it hurts so damn much and up, another one to dust i fall too hard when i have fun make amends with the sense that it's too damn much and up, another one to dust and up, and up, another one to dust i thought i was fine, but it's all dumb grab a tape, put it in, turn it too damn much way up, i'm quitting on another one way up, way up, i'm quitting on another one way up, way up, i'm quitting on another one another one and up, and up, i'm quitting on another one
11.
bear hug 03:48
the greatest shame i've ever seen is that the time won't start to seize it tells me all is evident it's all i've ever known to be the soft focus surrounding me the empty bottle dividends in times, i get in my own head my little lion book is read i can't turn back the ringing sound when life just isn't fun no more you best believe i'm at your door a bear hug just to hold me down you fall off in your simple ways you tell me take it day by day but nothing's ever happening i can't begin to make it clear you're all i've ever know to fear it's coming fast right into me i hope someday i can do well hand-in-hand

about

listen with headphones in the dark, or a car with the windows down. either or. no preference. enjoy.

credits

released April 22, 2022

all tracks written, recorded, performed, mixed, and mastered by tommy oeffling except:
background vocals on tracks 3, 9, and 11 by caiden dohr.
background vocals on track 8 by alex vee and luke tinsley.
count-in on track 5 and album cover photo by wynne oeffling.
track 8 contains samples of the beautiful song "callers" by friendo (st. ives 2010).

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tommy oeffling Johnsburg, Illinois

sometimes loud, sometimes quiet

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